Home of Academy and Emmy
nominated filmmaker Frederick Marx
 
 
 
 
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HOOP DREAMS ©1994
REVIEWS

"This engrossing documentary tells the stories of two inner-city Chicago teen-agers, William Gates and Arthur Agee, who aspire to careers in professional basketball. The movie introduces William and Arthur as fourteen-year-olds on the playground; they're being recruited by one of the city's perennial basketball powers, St. Joseph High School (the alma mater of Isiah Thomas). The filmmakers-Steve James, Frederick Marx, and Peter Gilbert-follow them all the way through high school. In the course of the movie's patient, sympathetic narrative (the running time is close to three hours), our reaction to the heroes' progress changes decisively, and for the better: at first, we're assessing their chances, measuring them for N.B.A. uniforms; by the end, we're rooting for them simply to survive the process without losing all their exuberance and drive and creative spirit"

-- Terrence Rafferty,
The New Yorker, 2006

 
 

"This completely absorbing three-hour documentary follows the lives of two inner-city African American teenage basketball prodigies as they move through high school with long-shot dreams of the NBA, superstardom, and an escape from the ghetto. Taking cues from such works as Michael Apted's 35 Up, director Steve James and associates shot more than 250 hours of footage, spanning more than six years, and their completed work actually moves like an edge-of-the-seat drama, so brimming with tension, plot twists, successes, and tragedies that its length--170 minutes--is never an issue. Yet, what makes the film more impressive is how James moves his scope beyond a competitive sports drama (although the movie has plenty of terrific, nail-biting basketball footage) and addresses complex social issues, creating a scathing social commentary about class privilege and racial division. The film opens by introducing William Gates and Arthur Agee, two Chicago hopefuls, as they are being courted and recruited by various high schools to play ball, and continues until the pair are college freshmen. James allows the audience the experience of not only watching their journeys and daily routines (it's a sobering portrait of inner-city life), but also witnessing their maturation. Each takes a separate path along the way, stumbling over several obstacles (William suffers injuries, Arthur fails to meet his coach's high expectations); but James takes particular care to stress the importance and strong commitment of each character's family along the way, giving the film a essential center. The parents and siblings emerge with as much depth and complexity as the two main "characters," and turn Hoop Dreams into an unforgettable film experience."

-- Dave McCoy , Amazon Essential Video

 
 
 
 

"The rich texture of Hoop Dreams' drama is its greatest asset. This is a film that goes beyond the verisimilitude of something to come from the pen of Spike Lee or John Singleton, into the realm of real life. The shattered illusions of William and Arthur are all the more poignant because these are not the dividends of a screenwriter's fertile imagination. And the drug deals depicted are chilling for exactly the same reason."

-- James Berardinelli, ReelViews.net, 1994

 
   
 

"The triumph of HOOP DREAMS is that it celebrates the game of basketball while critiquing its corporate and social underpinnings. Like Arthur and William and the culture they come from, the Chicago-based filmmakers love basketball too much not to get caught up in the excitement of the boys' final state tournament. And to some extent the film concludes with a different message than than that of its first two hours. However briefly, Arthur Agee and William Gates do get out of the ghetto. Their path is inglorious, their success tenuous, but this pair of likable, reluctant heroes are shown as completing a bittersweet journey."

-- TV Guide

 
     
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